From what level are nonheterosexual intimate themes, especially sexual behavior and speak about intercourse

Even though existence of lgbt figures could have increased recently on both broadcast that is commercial cable networks, it’s uncertain just exactly how frequently television addresses the intimate dilemmas and issues of intimate minorities.

As noted earlier in the day, when homosexual and lesbian figures have actually been contained in programs, they’ve frequently been portrayed in asexual contexts. Furthermore, nearly all of exactly exactly what happens to be posted up to now about homosexuality and tv happens to be qualitative (including show that is single studies), centering on exactly exactly how particular programs have actually portrayed homosexual figures. Although many content analyses have actually examined the actual quantity of sexual content shown on tv generally speaking (Cope Farrar & Kunkel, 2002; Greenberg et that is al; Kunkel et al., 1999, 2003; Kunkel, Cope Farrar, Biely, Maynard Farinola, & Donnerstein, 2001; Sapolsky & Tabarlet, 1991; Ward, 1995), none have actually reported from the prevalence of sexual portrayals and speak about sexual problems pertaining to gays, lesbians, or bisexuals.

This paper centers around variables evaluating nonheterosexual content that had been included as an element of two bigger content analyses examining intimate content more broadly on US tv. Information through the 2001 2002 and 2002 2003 tv periods are accustomed to respond to questions concerning the prevalence and regularity of intimate behavior and talk that is sexual to nonheterosexuals. Specifically, the info analyses address two broad research concerns: (1) from what extent are nonheterosexual intimate themes, especially sexual behavior and speak about sex, found in tv development general and just just what patterns emerge across system genres, community kinds, and prime time versus nonprime time development? (2) When nonheterosexual intimate content does happen, what exactly is its regularity and exactly how does it differ across genres, types of network, and prime time versus nonprime time development?

Method.Program Examples

A 3 composite week sampling plan ended up being utilized to get two big yearly random examples of tv programs of best interest to adolescents and that were comprehensive on most sections of this tv industry. Programs had been taped from 11 channels 6 commercial broadcast sites (ABC, CBS, Fox, NBC, UPN, and WB) and 5 cable sites (BET, Cinemax, HBO, MTV, and Showtime). The Steve Harvey Show, Moesha, Fresh Prince of Bel Air, One on One); WB, which tailors its programming to white youth, with programs such as Gilmore Girls, 7th Heaven, Sabrina, and Smallville; and MTV, which shows music videos and other programs (e.g., dating reality shows) watched by many teens and young adults because the content analyses were part of a larger research project on television exposure and adolescent sexuality, several networks were included because of their appeal to young audiences including UPN, which televises a substantial number of programs with young African American characters ( e.g.

Composite week sampling designs were found in past content analysis studies to have representative types of tv development (Kunkel et al., 1999, 2001, 2003; Madden & Grube, 1994; Wallack, Grube, Madden, & Breed, 1990; Wilson et al., 1997).

This sampling strategy involves arbitrarily picking times of the week or certain time slots for recording over many weeks to cut back prospective bias that may be introduced if all taping had been done inside a single calendar week. Recording of this test took place mainly over a 7 week duration when you look at the autumn every year. Because season premiere episodes are staggered through the entire thirty days of September, we started taping as soon as all nonsyndicated show had been showing episodes through the season that is current. Each week, three different times of the week had been arbitrarily chosen for taping from all 11 channels, along with a week associated with the week represented 3 x into the sample. The 8 hour time block for taping extended from 3:00 p.m. (of which time many youth are away from college) to 11:00 p.m. (through prime time). The entire process of recapturing missed episodes (like those which is why the satellite sign ended up being lost or even the show was pre empted by sporting or any other events that are special proceeded through the entire winter season.

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